Welcome to another episode of Artbox. In this episode Jason interviews Kirsten Anderson. Kirsten is the owner of Roq La Rue Gallery in Seattle, WA. She wrote the first survey on Pop Surrealism. Was an Editor-at-large and writer for Hi Fructose Magazine from 2007-2014. She started a wildlife conservation non-profit called Creatura Wildlife. We talk about how she started the gallery, Pop Surrealism, her philosophy on art, what advice she would give to artist and Creatura Wildlife. If you would like to learn more about Her gallery you can go to her website at roqlarue.com. The instagram page for the gallery is RoqLaRue and Kirsten’s wildlife non-profit is creaturawild.org. So with that, head on over to Mixcloud and hear the interview!
In this episode Jason sits down with Joseph Shetler in his studio. He asks Joseph how he got his start, what his philosophy and aesthetics of his work. And what and how much that influences and effects his work. You can see Joseph’s art on his website at www.josephshetler.com and you can find him on Instagram at Josephjayshetler. So sit back and relax and enjoy the Interview. To hear the episode head on over to the Mixcloud page at https://www.mixcloud.com/ArtBoxInTheDMV/
In this episode ArtBox sits down with Susan and Sean from Susan Calloway Fine arts. Susan Calloway Fine Arts specializes in contemporary art by local, regional, and international artists. The gallery also provides extensive art consulting services for business and residential clients alike. We discus how Susan started her gallery, and tips for artist relating to galleries. We also go into the misconceptions of galleries.
If you want learn more information about Calloway Fine Art , you can go to their website at callowayart.com and you can also go to their instagram page at callowayfineart. To hear our past episodes of ArtBox, go to Mixcloud.com. Our instagram is ArtBoxDMV And twitter handle is @ArtDMV.
In this episode segments form past episodes about community for, by, to from artist. First up is George Koch. In this segment George talks about starting a space for artist to make a community. Second up is Phil Berneburg. Phil talks about using a co-op community for learning from each other. And then finally here’s Sally Canzoneri. Sally gets into how a co-op can come together to tell story and help each other to grow. Listen here on Mixcould!
In this episode I sit down with Sally Canzoneri an artist and Gallery President of Washington Printmakers Gallery. We talk about her work and practice and as well asWashington Printmakers Gallery. Here’s Sally’s Bio from her web site:Sally Canzoneri is a photographer, book artist, and freelance writer. Her work in digital photography grew out her interest in developing images for her artist’s books. As a result, she looked at photography as tool for creating graphic images beyond those that are traditionally considered “photographs.” Her recent work, in particular, has a more pictorial than photographic look to it. And make sure to visit her web site at www.sallycanzoneri.com
Here’s Washington Printmakers Gallery’s Bio from their web site: Founded in 1985, the Gallery is the greater DC metro area’s primary source for contemporary fine art prints, and has a membership of exceptional local and national printmakers. Every month Washington Printmakers Gallery has a group exhibit of members’ work and a solo show. The gallery also houses bins and flat files with prints and a limited collection of artist books and portfolios. And make sure you go and visit Washington Printmarkers Gallery’s web site for the latest at http://washingtonprintmakers.com
And make sure to visit ArtBox’s Mixcloud to hear the interview and others! https://www.mixcloud.com/ArtBoxInTheDMV/
Phil is a studio arts potter with over twenty years’ experience, a geologist and ceramics engineer. He’s a professor of ceramics in the Masters program at Hood College in Frederick, Maryland. His main interests are in creating sculptural ceramics, both functional and nonfunctional, and in contributing to education in the ceramic arts, in particular, teaching the technical background of ceramics and its importance and relationship to art pottery.
His background has included just about every aspect of ceramic processing. He’s operated Apron Full of Gold Pottery School in Winthrop, Maine. He was an instructor at Glen Echo Pottery in Glen Echo, MD for 10 years, and an instructor at Bill van Gilder’s Frederick Pottery School for two years. In 2004 he served as technical editor for Ceramics Monthly magazine. Below are some examples of his series of his SteamPunk work and other examples as will. You can learn more about Phil and Pottery class at Washington Street Gallery at https://www.hfclay.com
Make sure to hear Phil’s interview on Mixcloud